It's called Aria.

It's called Aria.

It's Aria of John Cage.

It's Aria, of John Cage.

Danielle de Niese A flirtatious aria

Since the first aria of the first act.

I'd like to sing an aria from Otello.

It was certified gold by the Australian Recording Industry Association (ARIA) for selling 35,000 digital copies.

It's a kind of an aria, I would say, and in many tapes that I have.

The lead female character, played by Fatemeh Motamed Aria, is a traditional woman who wears the chador, the full body cloak.

If they liked an aria, they would holler and suggest that it be done again as an encore, not at the end of the show, but immediately.

If they liked an aria, they would holler and suggest that it be done again as an encore, not at the end of the show, but immediately.

The human voice mysterious, spontaneous, primal. With these words, soprano Claron McFadden invites us to explore the mysteries of breathing and singing, as she performs the challenging Aria, by John Cage.

But the tingling sublimity which we feel in the Queen of the Night's aria no longer reflects a yearning for order, but a sense of our littleness in the face of immensity.