Craster.

Craster.

Mr. Craster.

Julian Craster.

Julian Craster.

Mr. Craster!

Mr. Craster?

Romeo Craster.

Voilà, Monsieur Craster.

Uh, Monsieur Craster?

Yes, Mr. Craster.

Well, Mr. Craster?

She smiled at Craster.

Good evening, Mr. Craster.

And your letter, Mr. Craster.

Merci. Mr. Craster, the piano.

Time to go down, Craster.

Thank you, Mr. Craster. Thank you.

Mr. Craster is leaving the company.

What can I do for you, Mr. Craster?

The brass could do with your attention, Craster.

Mr. Craster, I have a job for you.

A young man called Craster. He's been here a hundred times.

Mr. Craster has been unwise enough to interfere with plans of mine.

You're already too late, Mr. Craster. Tell him why you've left him.

Unfortunately, Mr. Craster, I have already read this letter. Oh. Mr. Lermontov, please.

Well, Mr. Craster, that's all. Thank you very much. I'm proud of you.

Tell me, where in your long life, Mr. Craster, were you most happy?

And, Mr. Craster, I have had time to look at your latest effort...

Are you acquainted with the works or person of Julian Craster, composer and conductor?

Julian Craster is leaving the company and I don't wish to discuss the matter any further.

Mr. Craster, I must ask you to exercise in future a little more control over your natural ambitions.

Mr. Craster is going to play The Red Shoes music at every lunch, tea and dinner you take until we open.

'I regret to announce that Mr. Julian Craster the composer, 'who was to conduct his own opera, has been suddenly taken ill.

'Tonight is the first night of Cupid and Psyche, 'a new opera by a young British composer Julian Craster, 'whose only wellknown work has been the score for The Red Shoes.